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Carl Reinecke – Sonata in E minor Op 167 “Undine” Allegro Molto Agitato Ed Appassionato

 Sonata in E minor Op 167 Allegro Molto Agitato Ed Apassionato  by Carl ReineckeEileen Gilligan Flute Xinyu "Allie" Wang Piano - Undine Allegro molto asiato ed apassionato Allegro molto asiato ed apassionato – Reinecke Sonata in Eminor Op.167  Empathy in...

Pieces Guide Yumi Matsutoya – Haru yo koi Come Spring

Yumi Matsutoya - Haru Yo Koi (Come Spring)Piece: Haru yo koi: Come Spring by Yumi Matsutoya 1954- Why Choose Come SpringHaru Yo Koi or Come Spring is a wonderful melody to play and again can be used as a vocalisation. This wasn't chosen for any particular educational...

Joe Hisaishi – The Rain

The Rain by Joe HisaishiEileen Gilligan Flute Daniel Le Piano - Joe Hisaishi - The Rain The Rain was chosen and transcribed as an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the...

Marcel Moyse – 24 Little Melodic Studies No 1

24 Little Melodic Studies by Marcel Moyse Number 1 Summary Points What key are we in?. C Major so it's a happy key What tempo is stated?. Andante, so at an easy walking pace not a funeral march How many beats in the bar? 4/4 what are the important beats? 1 and 3 Soft...

Carl Reinecke – Sonata in E minor Op 167 Andante Tranquillo Undine Third Movement

 Sonata in E minor Op 167 Andante Tranquillo  by Carl ReineckeEileen Gilligan Flute Xinyu "Allie" Wang Piano - Undine Andante Tranquillo Andante Tranquillo – Reinecke Sonata in Eminor Op.167 – making the most of “the space between the notes.” Story wise this movement...

Arthur Woodall – Berceuse

Berceuse by Arthur WoodallEileen Gilligan Flute Daniel Le Piano - Arthur Woodall Berceuse The Berceuse was recorded because I loved the Serenade so much I went hunting for the Berceuse which I found is in the London Library. Arthur Woodall’s grandson Chris contacted...

Anton Dvorak – Song to the Moon

Song to the Moon by Anton Dvorak is excellent for soft dynamic projection, tone, and quality. The tone has to ring, resonate, have depth of colour and emotion at a p dynamic level. It is demanding but very worthwhile putting in the time. I chose this aria to help develop a soft tone on the flute without it being dull and lifeless which is too often heard in flute players.

Ennio Morricone – Gabriel’s Oboe

I have chosen Gabriels Oboe because it is a haunting , beautiful melody that is a great way to practise finding the speaking point of the flute and carry the resonant tone throughout. The melody keeps within a close range note wise so is perfect for this as a practise extension exercise to low note pich bend exercise.

Learning About Tone Development Through Interpretation For Flute

Tone Development Through Interpretation by Marcel Moyse is one of the greatest legacies he has left us. It is mainly a result of his time in America and travels with Blanche Honneger and Dame Nellie Melba which cemented his passion for the sound and virtues of other...

Carl Reinecke – Sonata in E Minor Op.167 Intermezzo. Allegretto vivace.

Sonata in E minor Intermezzo. Allegretto vivace “Undine” by Carl ReineckeEileen Gilligan Flute and Xinyu Allie Wang Piano - Sonata in E minor Intermezzo. Allegretto vivace “Undine” Intermezzo. Allegretto vivace is the second movement of the Carl Reinecke Sonata and...

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Pieces

Here are a some of the flute pieces.

Hope you enjoy them

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Guides

Here are a number of guides for flute pieces. Some are restricted to subscription members.

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