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Evening Primrose “Yoimachigusa”

by Tadasuke Ono

Background

This version of Yoimachigusa (Evening Primrose) has been my favourite recording of Marcel Moyse for a very long time. His impromptu variations are inspirational. The recording encapsulates everything I love about his approach to tone, expression and the flute as a versatile musical voice. I teamed up with wonderful Australian composer Michael Bakrnčev to arrange his recording for my subscribers and The Flautist series because it is a beautiful repertoire piece and there is so much, we can learn from it.

About Tadasuke Ohno

Tadasuke Ono( two spellings of his name used) was a violinist born 1885 and died 1929. He was educated at the Tokyo Academy of Music and a violist in the Imperial Court of Japan.

This is a lovely melody to sing the words and play with. It so lamentful and expressive.
The flower “Yoimachi-gusa宵待草”(Evening Primrose, literally ‘a grass waiting for evening’) is supposed to bloom in the evening and wither in the morning. The lyrics of the song were originally written as a poem by Yumeji Takehisa竹久夢二, an illustrator/designer and poet in 1912. An abridged version of the poem was published later, and it drew the attention of violinist, Tadasuke Ohno多忠亮, who gave music to the poem, and he himself performed the music in 1917. By 1918, a full score sheet of the song was published with Yumeji’s own illustration appearing on the cover, and it became an instant nation-wide hit. In 1938, 4 years after his death, a movie was planned on with a title “Yoimachi-gusa”, named after the song which had maintained a huge popularity, and the theme song for the film was of course that famous one, and even a second verse was added, written by Yumeji’s friend and poet, Yaso Saijo西條八十. The song is still sung today by many singers.

Here is Marcel Moyse performing Evening Primrose

 

Flute Players

Join the happy members of The Flautist, to find out how to play this beautifully. To get the sheet music, guide and develop a beautiful tone and expressive style as well as finding the speaking point.