by Eileen Gilligan | Mar 6, 2024 | Pieces
Yumi Matsutoya – Haru Yo Koi (Come Spring) Piece: Haru yo koi: Come Spring by Yumi Matsutoya 1954- Why Choose Come Spring Haru Yo Koi or Come Spring is a wonderful melody to play and again can be used as a vocalisation. This wasn’t chosen for any...
by Eileen Gilligan | Mar 5, 2024 | Pieces
The Rain by Joe Hisaishi Eileen Gilligan Flute Daniel Le Piano – Joe Hisaishi – The Rain The Rain was chosen and transcribed as an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low...
by Eileen Gilligan | Feb 28, 2024 | Blog
24 Little Melodic Studies by Marcel Moyse Number 1 Summary Points What key are we in?. C Major so it’s a happy key What tempo is stated?. Andante, so at an easy walking pace not a funeral march How many beats in the bar? 4/4 what are the important beats? 1 and...
by Eileen Gilligan | Feb 18, 2024 | Blog, Pieces
Sonata in E minor Op 167 Andante Tranquillo by Carl Reinecke Eileen Gilligan Flute Xinyu “Allie” Wang Piano – Undine Andante Tranquillo Andante Tranquillo – Reinecke Sonata in Eminor Op.167 – making the most of “the space between the notes.” Story...
by Eileen Gilligan | Feb 6, 2024 | Pieces
Berceuse by Arthur Woodall Eileen Gilligan Flute Daniel Le Piano – Arthur Woodall Berceuse The Berceuse was recorded because I loved the Serenade so much I went hunting for the Berceuse which I found is in the London Library. Arthur Woodall’s grandson Chris...
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